Thursday, July 26, 2012



     Quick Sketch is a great way to understand form in a simple approach.  Based on gesture and shape one learns to interpret and design what they see. Many are the uses of this discipline from laying in a figure and simplifying elements for composition to drawing more efficiently for storyboard and concept projects in the game and film industry.  All require efficient figure drawing skills and Quick Sketch can facilitate the editing process of the human form.

     The principle tool of exploration is the line, and in Quick-Sketch the path your line takes has a definite purpose. One path is the gesture; The life of a drawing. Think of gesture as blood coursing through the entire body as one or a river flowing over all forms in it's path. The line that explains the gesture also serves to unite the forms in one or 2 flowing strokes. Curve and flow is found within the body's structure (use of the median line) while the silhouette helps enforce and set the stance and attitude by means of the big shape.  

     Time is the opportunity to hone observational skills. The Quick-Sketch approach keeps the figure simple, minimal using clean shapes in the space of 2-3 minutes.





Or, in 5 minutes to 20, vignette a part of the body or simply practice simplifying construction by means of gesture and shape.



      Another important value of Quick-Sketch is in setting down simple comps with minimal shape and value to describe the pose, invaluable as a tool to use for thumbnails before tackling the final image in another medium. Using, for example, a charcoal pencil and inexpensive paper one works out the light and dark pattern, where it's possible to explore different paths and focal points for the same subject. It saves re-dos and distressing of the surface of a final piece as issues can be worked out at the Quick-Sketch stage.

The principles of the Quick-Sketch can help capture the energy and establish a cleaner workflow of a longer study.




     Quick-Sketch springs from the basics of human proportion and drawing concepts of design but emphasizes efficiency 
 and hones the skill of editing information while still explaining the figure in 20 minute or less poses.

Esmeralda Acosta - Quick-Sketch Instructor, Kline Academy







Monday, July 23, 2012

News from Color Workshop at Kline Academy!



   




  This weekend was the Color Mixing for Skin Tones workshop at Kline Academy. Students did such a great job and exclaimed how much the color wheel has opened their eyes to color mixing, so I thought it might be a great opportunity to explain the top 5 Reasons to Use a Limited Palette:


This limited Palette, also known as the "Zorn Palette" after artist Anders Zorn, contains the following colors: Ivory Black, Cadmium Red, Yellow Ocher and Titanium White. Here are 5 great reasons to stick with a Limited Palette:
 
  1. 1. Using a limited palette creates a natural color harmony in your painting. Virtually all colors of the spectrum can be mixed- from blues, violets to greens, yet they are made up of only three colors plus white!
  2. 2. Learning to mix colors (such as green) using primary colors (blue/black, yellow/ocher, cadmium red) instead of relying on pre-mixed tubed colors such as olive green, you will greatly expand your understanding of color theory.
  3. 3. You will begin to realize how many neutral colors exist in nature and thus acheive more accurate colors in your paintings
  4. 4. A chart (picured above) will aid you in analyzing the colors you see. Color is very logical and this chart helps you (see) the mixtures
  5. 5. Once you gain control over a limited palette, you gain an understanding of when it is appropriate to add a more intense color, such as Ultramarine Blue, and also how to control the chroma of a color.

                                                                 Photos from the Weekend Color Workshop



Does Color elude you? Learn to approach color in a logical, step-by-step manner in my classes at Kline Academy. Current and Upcoming Classes at Kline Academy with Brianna Lee:


Figurative Painting with focus on Color: Friday 10am-2pm Starts in August


Figure Drawing and Painting (live model): Saturday 2pm-5pm Starts in August


Tuesday Cast Drawing 10am-2pm Ongoing

To Register, Contact Kline Academy of Art at (310) 927-2436

Tuesday, July 3, 2012


The How-To's and Why of Cast Drawing

Written and Illustrated by Brianna Lee
Picture

Cast Plate by Charles Bargue






First, lets start with a little bit of History.

Cast drawing is a tradition that originated in the Ă‰cole des Beaux-Arts academies in Paris, established around 1648. Here, young artists would apply to participate in 4 years of rigorous art training. 
Before students were allowed to approach drawing a live model, they would begin by learning to copy prints, drawn by other artists, of classical sculptures. This was the best way for the student to learn about contour, light and shadow. A popular series of plates were created by artist Charles Bargue (see left). 

    Once proficient at copying the plates, the student was then allowed to draw from plaster casts of famous Classical Sculptures. Once they had a mastery over form, the student was then brought in front of a live model. 

Picture
Ecole De Beaux Arts Students working from a Live Model
Picture    
Bargue Drawing by student    

Why should you learn Cast Drawing? Well, to put it simply, it will teach you to see the errors of your ways. 

We all have bad habits when we draw. We make things too long, too wide, too big, too small, too round, too square. The number of ways you can make an error is as varied as Nature herself. 

Cast drawing using the Sight-Size approach can help you understand the way you perceive the subject and help reveal your tendencies towards one habit or another. Essentially, what we are doing when we draw from observation, is translating. Cast drawing can help you learn to translate better. And drawing from Classical casts teaches you a lot about design, anatomy and enables you to carefully study the true nature of an object. Even for the abstract painter, there is much to learn from Cast Drawing.


Think of your artistic skills as tools in a toolbox. One tool does not fix everything. But it serves a special purpose and does that task very well. Sight Size Cast drawing is one of those very special tools every artist should have in their toolbox. 

Thursday, June 7, 2012


Congratulations to our Kline Academy Abstract Painting instructor Scott Yeskel,  who will be showing at the Sue Greenwood Fine Art Gallery this month.  Scott teaches Abstract Painting Monday evenings from 6:30-9:30 pm and Tuesday mornings from 10:00 am - 1:00 pm.

 
 
 
Sue Greenwood
sgfa | sue greenwood fine art  
330 n coast highway, laguna beach, ca 92651
949-494-0669 
 

Thursday, May 31, 2012

David Leffel is coming to Kline Academy!

 

This is a rare chance for you to work with renowned painter, David Leffel in a 4-day Portrait Workshop.  Space in this extraordinary class is limited and highly prized.  By narrowing the size of our class, we ensure David has plenty of time to give individual attention to each student.  Call now to reserve your easel.

PORTRAIT WORKSHOP
DATE:  Aug 31 - Sept 3
TIME:  10:00 am - 5:00 pm
INSTRUCTOR: David Leffel
COST:  $925 for 4 days

LECTURE WITH LIVE DEMO
DATE:  Sept 3
TIME:  7:00 - 9:00 pm
INSTRUCTOR:  David Leffel
COST:  $50
This four hour DVD is a live demonstration filmed on location at the Kline Academy of Fine Art.  Cheryl Kline will take you step by step in her unique process of painting portraits from a photograph.  There are so many lessons in this DVD you will want to watch it again and again!

Secrets Revealed!

This DVD will teach you how to:
  • Find facial proportions
  • Set your composition
  • Draw your model on the canvas
  • Block in the basic shapes
  • Define the shadow patterns
  • Mix beautiful skin tones
  • Refine edges
  • Painting Hair
  • Painting Drapery
  • Finishing touches
and much more...


Regardless of skill level, this instructional DVD will enable the artist to approach their next portrait project with a step by step system which will bring more success to the development of their painting techniques and practice.  We wish you much joy in your art making.

$99.00 + 5.00 S/H

Tuesday, May 22, 2012


Two-Day Color Mixing Workshop




Instructor:  Brianna Lee
Date:  Saturday, July 21 & Sunday, July 22
Time:  10am-4pm both days
Cost: $220


Does color elude you? Unsure where to begin when mixing color? Then this workshop is for you! 

Students will explore the essentials of color with this two-day color mixing workshop. Learn to create color harmony by using the “Zorn” Palette and take a practical approach to color.

The workshop begins with a guided color mixing exercise, where students create a color wheel and learn the benefits of a limited palette. The second day students will use this chart to guide them to recreate the colors of a Master painting.

Learn real-life application and how a color chart can guide you, whether painting luminous flesh tones or earthy landscapes! Many of our students upon completing the course, have expressed how much it has improved their abilities to analyze colors accurately. Call today and reserve your space!


Saturday, May 19, 2012

Cheryl Kline, presenting Iris Jacobs with a $25 gift card from Blick's Art Supply.

Congratulations to our student, Iris Jacobs! She won our Student of the Month and gift card for $25 with her beautiful painting of ballet shoes.  By the way - Iris is only 14 years old and already shows great talent! Kline Academy currently has all adult art classes but she is one of the few teens we have accepted into our program. This summer however, we will be launching our youth art program: Atelier des Beaux Arts focusing on fine art skills we currently teach to our adult art students.


Tuesday, May 15, 2012

Kline Academy of Fine Art

presents a live, self-portrait
demonstration by David A. Leffel

David A. Leffel

This is a rare opportunity to watch close-up, as this masterful artist creates his self-portrait before your eyes!  David Leffel is not only an accomplished painter but an exceptional teacher.  With each stroke of his brush, Leffel explains his reasoning and gives solutions to achieving painterly results.  2 Hours, 2 Minutes

$85.00 

+ $2.50 s&h*

*California residents ad 8.75% sales tax


Spring into Summer:  Figure en Plein Air Workshop

 

Instructor:  Brianna Lee
Date:  Sunday, June 24 
Time:  9:30am-5:00pm
Cost:  $140
 
Learn the color of outdoor light on skin tones with a live model en Plein Air. You will be introduced to a limited “light” palette, ideal for creating luminous paintings. The workshop will begin with a brief lecture and demonstration followed by one on one instruction for each individual artist.
 
This is a great opportunity to explore the merging of two popular subjects: landscape painting and portraiture!  And late Spring is the perfect season to get out your plein air easels and enjoy some fresh air, beautiful weather and apply some paint to your canvases. You are encouraged to bring a lunch.  All skill levels are encouraged to join in, this will be lots of fun so mark your calendars and RSVP today!

 
Supplies
Portable Plein Air Easel (or we can rent you one for $15)
Roll of Paper towels
Brushes: Filberts (Bristle and Sable)
Plastic bag (for oil rags)
Odorless Turps or Oil in a container (for cleaning brushes)
Oil colors: Titanium White
Cadmium Yellow
Yellow Ocher
Cadmium Red or French Vermillion
Alizarin Crimson
Ultramarine Blue
Ivory Black
(Optional) Easel Umbrella
Portable Stool/Chair